It’s FREE! Click one of these fan favorites to get started: Apple ; Google ; Ford . 3 Movies That Could Break Avatar’s Box Office Record October 13, 2013 | Comments (0) Avatar opened on Dec. 18, 2009, to a respectable $26.7 million at the box office. That’s impressive, but nowhere near the all-time opening day record. Across its first weekAvatarended up bringing in $137 million in domestic box office, just the 28th largest opening week. Yet, what was incredible about Avatar was how the film’s momentum continued togrowacross its run. Most blockbusters lose 50% of their box office gross in the second weekend and continue dwindling each and every week until they leave theaters. Avatarlost just 1.8% in its second weekend, its third weekend brought in $68.5 million, a drop of just 11% from its opening weekend. It set the box office record for largest third, fourth, fifth, sixth, and seventh weekends. In multiple weekends, it actually grew from the prior week. It stayed at number one at the box office fora mind-boggling8 consecutive weeks. Add it all up, andAvatarended up breaking the domestic record for largest total box office with a lifetime gross of $761 million. In international markets it brought in more than $2 billion at the box office, bringing its worldwide total to nearly $2.8 billion, another box office record. Only one other recent movie had a comparable run –Titanicstayed at number one at the box office for an astounding 17 consecutive weeks. It’s second all-time at the box office with a worldwide lifetime gross just south of $2.2 billion. Adjusted for inflation,Titanicwould be closer to $4 billion in global box office. Clearly, breaking the box office record won’t be easy.
Stop fact-checking the movies
He is the co-director of the new comedy documentary “The Muslims Are Coming!” It was released this month. Follow him on Twitter @deanofcomedy . (CNN) — Can we simply enjoy movies without having to fact-check every little thing? Apparently not, because so many people feel compelled to show us how clever they are by attempting to point out factual errors depicted in film after film. News flash: Movies are supposed to be an entertaining experience. They are an escape from reality. If you want to learn history or facts, read a book. Or if you are too lazy to do that, then google it. Dean Obeidallah We have seen this self-aggrandizing spectacle of people fact-checking movies with two recent films. The first is the current box office champion, “Gravity,” with the other being “The Butler.” “Gravity,” which stars Sandra Bullock and George Clooney, follows a space mission that goes terribly awry. Despite its box office success, a chorus of critics have attacked numerous scientific flaws in the film — such as pointing out the allegedly inaccurate way Bullock’s hair floated in zero gravity .
Physicist Sameet Sreenivasan of the Rensselaer Polytechnic Institute in New York conducted a detailed data analysis of novel and unique elements in movies throughout the 20th century. Sreenivasan analyzed keywords used on the Internet Movie Database (IMDb) to observe trends. A novelty score was given based on the number of times any given keyword was used to describe another film. Films that had higher novelty scores featured a word that was rarely used to describe it. While films with lower novelty scores had a keyword used to describe a variety of them. A range from zero to one was applied as the novelty score, with the least novel being zero. To depict the evolution of film culture over time, Sreenivasan then lined up the scores chronologically. “You always hear about how the period from 1929 to 1950 was known as the Golden Age of Hollywood,” Sreenivasan said to Wired. “There were big movies with big movie stars. But if you look at novelty at that time, you see a downward trend.” After studio systems fell in the 1950s, filmmakers burst with new ideas which enhanced the movies during the 1960s. Films like Bonnie and Clyde in 1967, Breathless in 1960, and The Good, the Bad, and the Ugly in 1966 were all very well received. In addition, plot lines, novel styles and film techniques helped create the increase in Sreenivasan’s analysis of that period.